What Can We Learn About Ars Subtilior Temporality from Mala Punica’s Performances?
Timothy Chenette (Utah State University)
Performance Analyzing Analysis
Andrew M. Friedman (Harvard University)
Performers’ Analyses: Collating, Integrating, Assimilating
Charise Hastings (Tallahassee, FL)
A Tale of Two Recordings and Their Analytical Ramifications: Jane Bathori, Pierre Bernac, and Debussy’s “Colloque sentimental”
Peter Kaminsky (University of Connecticut)